#Contax g2 repair plus

For eyeglass wearers, there isnвЂ™t as much eye relief as IвЂ™d like, plus the frame lines can be difficult to see in bright light theyвЂ™re just not contrasty or bright enough. That said, the view is bright, clear and brilliantly contrasty, plus color neutral вЂ“ much better than the finder of my GR1V, though the GR1V provides better eye relief and frame line visibility. IвЂ™d say subjectively, itвЂ™s about the same size as an entry level APS-C finder, or similar to the Fuji X10. Whilst a lot better than the pathetic excuse for viewfinders tacked on as an afterthought (if at all) to some digital cameras these days, itвЂ™s still not going to measure up to a proper SLR or medium format camera. Like all cameras of this genre, it has a viewfinder. It is a boxy design, but fits in the hand reasonably well, and the titanium finish isnвЂ™t that slippery (though IвЂ™d recommend the use of a wrist lanyard to prevent expensive accidents).

Oh, and thereвЂ™s the aforementioned sapphire shutter button, of course.

ItвЂ™s a bit fiddly to power on with one hand, but at least it wonвЂ™t accidentally extend the lens in your bag or pocket (Ricoh GR1V, IвЂ™m looking at you). There really arenвЂ™t that many controls on this thing at all: the top has a small LCD for mode display and frame counter thereвЂ™s a flash mode and mode mode button, a tiny control dial, an AF-lock button, and the combined aperture/ power/ program mode wheel, which locks in the off and P positions by means of a central button. Controls feel tight and positive, and even the mode buttons have a decent amount of travel to them and provide positive clicks. This was definitely not a cheap camera when new (and still isnвЂ™t exactly cheap today, either).ДЄll the effort does come across the moment you pick it up, though вЂ“ they got the tactility bit very, very right.

#Contax g2 repair windows

Just to prove they spared no expense, the shutter button and viewfinder/ AF windows on the front of the camera were all made from synthetic sapphire. The T3 was the pinnacle of the range from a design standpoint it was one of then smallest 35mm compacts at the time, bodied in smooth titanium вЂ“ either natural finish or black вЂ“ and featured a Zeiss 2.8/35 Sonnar.

#Contax g2 repair manual

The T cameras (with the exception of the T4/T5) were a series of premium compacts featuring some manual controls, all-metal construction, and Carl Zeiss T* lenses (including the T4, and subsequent Yashica cameras). Contax is a Japanese brand, later bought over by Kyocera-Yashica, and now defunct (the owners of the brand no longer have any facility for the production of cameras). With that out of the way, letвЂ™s talk about the camera up on the block today: the Contax T3. The same goes for film: a web scan isnвЂ™t going to have anywhere near the same amount of information as the original negative even printing introduces an additional variable into the mix which might lead a review to conclude erroneously. When evaluating images in the analog domain, itвЂ™s already difficult enough to form an opinion based on a small websize jpeg this is why itвЂ™s important to go along with the words of the reviewer as theyвЂ™ve (hopefully) seen large, uncompressed files on a calibrated monitor вЂ“ what youвЂ™re seeing is merely for illustration and perhaps to break up the enormous blocks of text. Differences are down to glass, assuming that processing is carried out consistently.

Still, there are definitely characteristics that shine through regardless вЂ“ part of this is perhaps down to the equality of media across all cameras вЂ“ an F6 has the same sensor as a Mju II, which in turn has the same sensor as a 1930s Leica I. Reviewing film cameras both takes a little longer and always somehow feels a little less complete than doing the same for digital I suspect itвЂ™s because there really are quite a lot of unknowns in the equation which you canвЂ™t determine whether are due to the camera or some other portion of the process.